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Beware Fake Lefties and Action Outfits With Too Much Money

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Thomas Sheridan talks about how the Power Elite want to high-jack the current movement towards a new form of social cohesion and use activist energies to maintain their ‘status quo’.

The Courage to Create by Rollo May

‘The Courage to Create‘ by Rollo May is recommended by Sheridan.

Velocity of Now Part 1http://www.youtube.com/watch?v=-aszrumBPFM  He calls out Simon Cowell and Louis Walsh for instance.  Comedians are now used as gatekeepers.  They allow us a degree of irreverence towards these Psychopaths without actually being able to remove these perps who are causing so much damage on this Earth.  The Perps often co-opt indigenous ideas, pollute them and then use these ideas to sell their own agenda.

If you as an artist get a Government Grant you are being coerced into being a propagandist and are required to create politically correct ‘muck’.  Charles Saatchi anybody?

Part 2http://www.youtube.com/watch?v=TU9ZwHSMqWY

Comment:  ‘Just from a personal perspective, I believe and have had many personal experiences to bring about my belief that the brain/mind is actually a filter mechanism for the reality we each experience. Protons, neutrons&electrons contain, transfer and trans-mutate all the information that filters through our individual brain/minds and have a direct impact upon the continual evolution of our reality. Freddie Mercury pinned it with “It’s a kinda magic”‘

the-shadow

The Shadow

Sheridan discusses a popular fictional character of the 1930′s created by Walter Gibson.

The Shadow started off as a mysterious host for the radio program Detective Story Hour in 1930, produced by pulp fiction publishers Street and Smith. The Shadow character was so popular that Street and Smith decided to give him his own pulp which was mainly written by Walter Gibson under the pseudonym Maxwell Grant. The first novel, The Living Shadow, appeared in 1931 and 325 issues followed over the next eighteen years. Gibson, a writing machine, wrote 282 of those novels himself. He also scripted the adventures of The Shadow in comic strip form with artist Vernon Greene from 1939 to 1942. As well as some of the early comic book series that would enjoy a run of 101 issues. In these stories The Shadow was a weird avenger of the night who used a cabal of secret agents to assist him with his war on crime across New York City, and sometimes abroad. In these stories The Shadow was actually a WWI pilot Kent Allard who also used the identity of socialite Lamont Cranston as a cover to move through various circles.’  Sheridan says that there is actually a shadowy shape inhabiting Sheridan’s Manhattan apartment to this day.



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